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24 de ene. de 2024 · New York City Ballet paid tribute to Jerome Robbins on the opening of its winter season with Fancy Free, about three sailors on shore leave looking for some action, and In the Night, about three couples who have mixed feelings about the action they are getting.Also on tap was The Four Seasons, in which a throng of dancers indulge in outdoor flirtations in all kinds of weather.
Russell Janzen on GLASS PIECES. As dancer Russell Janzen notes, Jerome Robbins’ Glass Piecesmay be an abstract ballet with an experimental score by Phillip Glass, yet it’s also rooted in the real world, especially the feeling of driving, pulsing undercurrents found just by walking through New York City. Stay closer to the action.
For the Stravinsky Festival in 1972, Jerome Robbins used the music for his Circus Polka, a showpiece for 48 students from the School of American Ballet, and cast himself as the Ringmaster. At the close of the piece, the children form the initials “I.S.,” in honor of the composer; since that time, the ballet has paid tribute to others in the same way.
Jerome Robbins is world renowned for his work as a choreographer of ballets as well as his work as a director and ... In G Major, Other Dances, Glass Pieces and Ives, Songs, which are in the repertories of New York City Ballet and other major dance companies throughout the world. His last ballets include A Suite of Dances created for ...
2 de abr. de 2014 · Born on October 11, 1918 in New York, New York, Jerome Robbins went on to become a dancer and celebrated choreographer, earning raves for his ballet debut piece “Fancy Free.”. He eventually ...
24 de ene. de 2024 · New York City Ballet paid tribute to Jerome Robbins on the opening of its winter season with Fancy Free, about three sailors on shore leave looking for some action, and In the Night, about three couples who have mixed feelings about the action they are getting.Also on tap was The Four Seasons, in which a throng of dancers indulge in outdoor flirtations in all kinds of weather.
Jerome Robbins used Stravinksy’s concerto for one of his early works, The Cage, which imagines a community of female creatures. In describing the ballet, Robbins said, “I did not have to confine myself to human beings moving in a way that we know is human. In the way their fingers worked, in the crouch of a body or the thrust of an arm, I ...
