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4 de jul. de 1982 · Pauline Kael reviews the sci-fi thriller “Blade Runner,” directed by Ridley Scott and starring Harrison Ford, and loosely based on Philip K. Dick’s novel “Do Androids Dream of Electric ...
16 de sept. de 2017 · In her iconic review of Bernardo Bertolucci’s Last Tango in Paris, Pauline Kael heralds the film’s premiere as a pivotal moment in cinematic history, paralleling its impact to the premiere of “Le Sacre du Printemps” in the music world.She celebrates the film for breaking through the norms of mechanized, passionless cinematic sexuality by presenting a raw, emotionally charged sexual ...
15 de jul. de 2023 · The Godfather: Part II (1974) Paramount Pictures. Perhaps the greatest sequel ever made, The Godfather: Part II manages the impossible by almost trumping the greatness of director Francis Ford ...
11 de ene. de 2018 · January 11, 2018. Martin Scorsese’s Mean Streets is a true original of our period, a triumph of personal filmmaking. It has its own hallucinatory look; the characters live in the darkness of bars, with lighting and color just this side of lurid. It has its own unsettling, episodic rhythm and a high-charged emotional range that is dizzyingly ...
13 de mar. de 1994 · Pauline Kael on her career as a New Yorker film critic, her relationship to her readers, and the efforts she made to preserve her writing’s signature, conversational voice.
23 de jun. de 2017 · Published in 'The New Yorker', September 26, 1977. by Pauline Kael. The loudness, the smash-and-grab editing, the relentless pacing drive every idea from your head; for young audiences Star Wars is like getting a box of Cracker Jack which is all prizes. This is the writer-director George Lucas’s own film, subject to no business interference ...
Pauline Kael collection of reviews, articles, essays, and interviews
