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14 de sept. de 2023 · Georges Braque (1882-1963) fue un pintor y escultor francés que fundó el cubismo junto con Pablo Picasso. A lo largo de su trayectoria pictórica, Braque creó una serie de obras importantes que contribuyeron al desarrollo y la evolución del cubismo, uniendose primero a Picasso y, más tarde, a Juan Gris.
Georges Braque was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most important contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso.
2 de abr. de 2014 · Georges Braque was a French painter born on May 13, 1882, in Argenteuil, France. He spent his childhood in Le Havre and planned to follow in the footsteps of his father and grandfather by becoming ...
Abstract Art Movements. Biography. A key figure in modern French painting, the artist Georges Braque is chiefly remembered for his abstract art, notably his pioneering work on Cubism - one of the most revolutionary and influential movements of modern art - which he founded in the late 1900s in collaboration with Pablo Picasso (1881-1973).
Georges Braque nació el 13 de mayo de 1882 en Argenteuil-sur-Seine, cerca de París. Cursó estudios en la Escuela de Bellas Artes y cerca de 1905 comenzó a pintar al modo de los fauvistas. En 1908 su interés se centró en las obras de Paul Cézanne.
Georges Braque was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most important contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso.
1 de ene. de 2024 · In 1912, Georges Braque invented papier collé, or the technique known today as collage, utilizing ready pieces of paper, newsprint, wallpaper, and other sources to create a composition. This pushed Cubism into its next phase, known as Synthetic, where the focus was not on breaking the object into its varied viewpoints but on flattening it out to remove any illusion of three-dimensionality.
