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威廉·霍尔曼·亨特（1827年4月2日—1910年9月7日），英国画家，拉斐尔前派创始人之一。1827年4月2日生于奇普赛德，父亲是商店的掌柜，不希望亨特学习绘画。所以亨特十六岁以后才接触油画，当时他一面画肖像画自谋生活，一面开始研究绘画。亨特经常模仿前人的作品，如15世纪意大利的一些名画 ...
William Holman Hunt. (Londres, 1827-1910) Pintor británico, cofundador de la misteriosa Hermandad Prerrafaelista junto a Dante Gabriel Rossetti y John Everett Millais en 1848. William Holman Hunt fue el único miembro de la hermandad que permaneció fiel a lo largo de toda su carrera a los objetivos prerrafaelistas, que, según él propugnó ...
Smaller version: William Holman Hunt, The Shadow of Death, 1870-73, retouched 1886, oil on canvas, 94 x 73.6 cm ( Leeds Art Gallery, Leeds Museums and Galleries) The Shadow of Death dates from Hunt’s second major trip to the Holy Land from 1869–72. The painting was begun on a smaller canvas (now in the Leeds Art Gallery) in a carpenter’s ...
William Holman Hunt (Londres, 2 de Abril de 1827 — Londres, 7 de Setembro de 1910) foi um pintor inglês. Fundou, juntamente com Dante Gabriel Rossetti e John Everett Millais, em 1848, a Irmandade Pré-Rafaelita, um grupo artístico entre o espírito do revivalista do romantismo e as novos revivalismos do século XIX.
William Holman Hunt (1827–1910) Lady Lever Art Gallery. (b London, 2 Apr. 1827; d London, 7 Sept. 1910). English painter, co-founder of the Pre-Raphaelite Brotherhood in 1848. He was the only member of the Brotherhood who throughout his entire career remained faithful to Pre-Raphaelite aims, which he summarized as finding serious and genuine ...
William Holman Huntby Paul RipleyHunt, a founder of the Pre-Raphaelite Brotherhood was born in London, the son of a warehouse manager. Throughout his life he was a devout Christian. He was also serious minded, & lacking in a sense of humour. Hunt joined the Royal Academy Schools in 1844, where he met Millais & Rossetti, &, in fact brought them together. In 1854 Hunt decided to visit the Holy ...
6 de dic. de 2023 · William Holman Hunt’s painting, The Awakening Conscience, addresses the common Victorian narrative of the fallen woman (for more about this subject, see Stanhope’s Thoughts of the Past). Trapped in a newly decorated interior, Hunt’s heroine at first appears to be a stereotype of the age, a young unmarried woman engaged in an illicit liaison with her lover.
