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Basil Dearden Tunes of Glory Ronald Neame 1/3. 2/3. 3/3. Current. Eclipse Series 25: Basil Dearden’s London Underground Sapphire: Inner City Given his strikingly eclectic body of work, it’s not surprising that Basil Dearden has never become a household name—he’s too hard to pin down.
17 de abr. de 2021 · Basil Dearden’s 1961 film, Victim, represents a significant moment in British film history.Released into a world where sex between adult men in the United Kingdom was a heavily policed crime, it is the first British film to use the word homosexual inside a narrative that thoughtfully and unsensationally captures the cumulative daily stresses and deadly effects of the law.
All Night Long: Directed by Basil Dearden. With Patrick McGoohan, Keith Michell, Betsy Blair, Paul Harris. This movie, based on William Shakespeare's Othello, is neatly positioned as a vehicle to showcase some of the best jazz musicians of the period, including Dave Brubeck and Charles Mingus.
Basil Dearden (1911-1971) war einer der herausragendsten Regie-Handwerker des klassischen britischen Kinos. Nach seiner Lehrzeit als Regieassistent inszenierte er ab 1941 eigene Filme, die alle für die Ealing Studios bis zu deren Auflösung im Jahr 1959 entstanden.
Othello is translated to the world of sixties London jazz clubs in Basil Dearden’s smoky and sensational All Night Long. Over the course of one eventful evening, the anniversary celebration of the musical and romantic partners Aurelius Rex (Paul Harris) and Delia Lane (Marti Stevens), a jealous, ambitious drummer, Johnny Cousin (Patrick McGoohan), attempts to tear the interracial couple apart.
He also helmed the 1966 historical epic Khartoum, starring Charlton Heston and Laurence Olivier. In 1959, Dearden directed several half-hour installments of the internationally produced TV series The Four Just Men. Basil Dearden died in an auto crash at the age of 60; he was survived by his son, writer/director James Dearden.
Basil Dearden (1911-1971) was one of the most outstanding directors of classic British cinema. After his apprenticeship as an assistant director, he directed his own films from 1941, all of which were made for Ealing Studios until its dissolution in 1959.
