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9 de dic. de 2017 · Directed by Stan Brakhage. US, 1961-1965, 16mm, color, silent, 270 min. Print source: Academy Film Archive. Shown in a new print, this monumental work, regarded as one of Stan Brakhage’s greatest films, contains within it the same materials he used to construct the better-known Dog Star Man. It depicts the filmmaker as woodsman, scaling a ...
So begins the classic Metaphors on Vision by Stan Brakhage (1933 - 2003). First published in 1963 by Jonas Mekas as a special issue of Film Culture , it stands as the major theoretical statement by one of avant-garde cinema’s most influential figures, a treatise on mythopoeia and the nature of visual experience written in a style as idiosyncratic as his art.
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25 de may. de 2010 · Stan Brakhage’s films explode with sensual beauty: bursts of color heightened by extreme contrasts in hue and shape and by stunning depth effects; more monochromatic passages of nonetheless equal intensity that sensitize one to the glories of tiny differences; nearly flat, slowly changing fields of color that wave like blankets in the wind, only to be interrupted by a cut that opens up a ...
8 de jun. de 2017 · To describe the thinking behind his films, Stan Brakhage often quoted a saying attributed to the ninth-century Irish theologian John Scotus Erigena: “All things that are, are light.” This is not a sensibility that would seem to lend itself to making home movies, and there is a disquieting tension in many of the films Brakhage made about his family during his first marriage.
Una búsqueda sensible del rastro simbólico que dejan entrever aquellas figuras míticas, fundada en la visualidad de la imagen, un ajuste estético que se aleja y resulta extraño al lenguaje, revelándose como un universo posible, intuitivo y lumínico de la propia escritura. Como citar: Zurita, L. (2020). Stan Brakhage: El asedio de las ...
Stan Brakhage (14 de Enero de 1933 – 9 de Marzo de 2003) fue un cienasta experimental estadounidense. Es considerado como uno de los más importantes cineastas experimentales el siglo XX. Trabajó con diversos formatos de celuloide: 16mm, 8mm, 35mm, e IMAX, y fue un practicante de lo que denominó como 'pure cinema'.Biografía Brakhage nació como Robert Sanders en un orfanato de
