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When Bernard Herrmann died in the early hours of Christmas Eve 1975, he left behind a body of work that would go on to transcend the medium for which it was originally written. Unusually for a film composer of his generation, almost all his scores are available on CD – many of them newly recorded – and a few have achieved the status of cultural icons.
18 de may. de 2018 · Bernard Herrmann (1911-1975) is perhaps the greatest composer of motion picture music in the twentieth century. He is best remembered for his dark, suspenseful, innovative musical scores, written for such celebrated film directors as Alfred Hitchcock, Orson Welles, Francois Truffaut, and Martin Scorsese. Herrmann composed some 50 original film ...
Complex and irascible, Bernard Herrmann was plagued by career frustrations, but remains one of cinema’s most iconic musical voices
29 de jun. de 2011 · Bernard Herrmann's music helped make Alfred Hitchcock's Psycho and Vertigo, Orson Welles' Citizen Kane, François Truffaut's Fahrenheit 451 and Martin Scorsese's Taxi Driver into iconic works of art.
24 de dic. de 2014 · Forget the track list, just embark on the journey. And this could be one of the most exquisite and satisfying musical experiences of your life. Bernard Herrm...
Bernard Herrmann. Music Department: North by Northwest. The man behind the low woodwinds that open Citizen Kane (1941), the shrieking violins of Psycho (1960), and the plaintive saxophone of Taxi Driver (1976) was one of the most original and distinctive composers ever to work in film. He started early, winning a composition prize at the age of 13 and founding his own orchestra at the age of 20.
Bernard Herrmann was part of the so-called ‘Golden Age’ of film composers — though it was a term he loathed. He saw himself first and foremost as a composer who sometimes wrote music for films, a period which originated in the 30s and 40s and whose adherents included the likes of Alfred Newman, Franz Waxman, Erich Wolfgang Korngold, Max Steiner and Miklós Rósza.
