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Annual of the Swedish Institutes at Athens and Rome. The authors of this paper reinvestigate the remains of the Basilica Sempronia, situated below the Imperial Basilica Julia in Rome. By combining the information from the original excavation with a new 3D digital documentation, new observations are made and previous interpretations reassessed.
Sempronia enriches the Tacchini re-editions with its determined and versatile presence, able to adapt to every table and situation, today, as yesterday. 2D and 3D files request. Designer: Tobia ScarpaYear: (1987) 2023. Dimensions.
Sempronia, a revolutionary – Diotíma. 174. Sempronia, a revolutionary. Rome, 1st cent. B.C. (Sallust, Conspiracy of Catiline 24.3-25. L) The historian Sallust regarded the conspiracy led by Catiline in 62 B.C. as a result of moral decline; in his account, Catiline’s supporter Sempronia egregiously lacks the qualities for which virtuous ...
La Basílica Sempronia (en latín, Basilica Sempronia) fue una estructura en el Foro Romano durante el período republicano. 1 . Fue una de las cuatro basílicas que formaron el Foro Romano original junto con la basílica Porcia, la basílica Emilia, y la basílica Opimia, y fue la tercera construida, 2 a principios del siglo II a. C.
25 de nov. de 2021 · Sallust's account of Sempronia is genuinely a wild ride. Please remember that the ancients would not have read anything in his work as a positive reflection ...
Cayo o Gayo Sempronio Graco [a] (c. 154-121 a. C.) fue un político y militar romano del siglo II a. C., miembro de una notable familia senatorial de la gens Sempronia y hermano de Tiberio Graco.. Formó parte de la comisión agraria creada por su hermano, a pesar de su juventud, y estaba sirviendo en Hispania cuando aquel fue asesinado. Siguió una política de confrontación con la ...
The portrait was intended to bite into the mind and memory of the reader. When Tacitus drew the character of Seianus in a brief sequence of strong sharp phrases, recalling Sallust’s Catilina, he paid thereby a very proper compliment to the master of Roman historical style. 2 Likewise his picture of the seductive Poppaea Sabina, modelled upon Sempronia, but not with slavish imitation.
