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23 de abr. de 2024 · Ry Cooder (born March 15, 1947, Los Angeles, California, U.S.) is an American guitarist and singer whose influence far outweighed his limited commercial success.. Introduced to the guitar at age three, adept at the instrument by age eight, and a teenage habitué of the Los Angeles blues scene, Cooder formed the Rising Sons with Taj Mahal and played in Captain Beefheart’s Magic Band before ...
28 de abr. de 2014 · Then the saxophone player’s father died. And illness. Flaco had problems and had to go home for a week. The guitar player got pneumonia and had to ... Henke, James. “Ry Cooder’s Roots: from Tex-Mex to R&B—Looking to the Past for Fame and Fortune.” Rolling Stone 16 Apr. 1981: 24–26. Print. Herrick, Thaddeus. “Gotta Be an ...
4 de abr. de 2017 · For Cooder, Guerrero was one of the linchpins of the 2006 Grammy-nominated Chavez Ravine. “If I hadn’t been able to get Lalo or [the father of pachuco music Don] Tosti, I wouldn’t have done it,” he says of the album that portrays LA’s Latin culture and music within the backdrop of midcentury racial politics.
Ryland „Ry” Peter Cooder ( Los Angeles, 1947. március 15. –) amerikai gitáros, énekes és zeneszerző. Hatszoros Grammy-díjas . Cooder a Rolling Stone magazin által 2003-ban kiadott, minden idők 100 legjobb gitárosát felvonultató listáján a 8. helyen állt. A 2011-ben megújított listán a 31. helyre rangsorolták.
11 de dic. de 2020 · Legendary guitarist Ry Cooder talks with his son, Joachim Cooder, about his new album @rycooderofficial x @joachimcooder. Joachim Cooder first heard the songs of Uncle Dave Macon (no relation, that’s just the stage name of David Harrison Macon, an influential figure in folk and country music) as a boy when his father Ry would play them on the banjo.
The Very Thing That Makes You Rich (Makes Me Poor) Lyrics: My father told me, lying on his bed of death / "Boy," he says, "woman she's gonna make it, don't fool your self / 'Cause she's got ...
15 de ene. de 2024 · Cooder had previously performed it on his self-titled debut album from 1970, and Wenders wanted something similar to form the basis of the Paris, Texas score. Wenders explained, “It was toward the end, so Ry saw the film thinking it was completely without music, and he didn’t expect any, then all of a sudden there was just a little piece of his own.
