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A pioneering electronic composer, inventor of the Oramics Machine and co‑founder of the highly influential BBC Radiophonic Workshop. We’re here to safeguard Oram’s archive – a lifetime of recordings, papers and more – and support electronic music makers in the UK. We also collaborate on live events and other projects exploring Oram ...
Daphne Oram (1925-2003) was the first full-time electronic music composer in Britain. ... “We have also sound-houses where we practise and demonstrate all sounds, and their generation. We have harmony which you have not, of quarter-sounds, and the lesser slides of sounds.
25 de mar. de 2011 · “We have also sound-houses, where we practise and demonstrate all sounds, and their generation. We have harmonies which you have not, of quarter-sounds, and lesser slides of sounds. Divers instruments of music likewise to you unknown, some sweeter than any you have, together with bells and rings that are dainty and sweet…” Daphne Oram, founder of the BBC Radiophonic Workshop, returned ...
Daphne Oram co-founded the famed BBC Radiophonic Workshop before developing Oramics, a system of generating synthetic sound via graphical interface. Born December 31, 1925, in Wiltshire, England, Oram studied piano, organ, and composition while attending the Sherborne School for Girls and in 1943 received an invitation to continue her education at the Royal College of Music; she nevertheless ...
30 de may. de 2017 · Oram draws timbres on the Oramics machine (Credit: Fred Wood/Daphne Oram) In 1972, Oram also published her manifesto (of sorts): An Individual Note of Music, Sound and Electronics. It is a deeply ...
A young Graham Wrench at work on the Oramics synthesizer. In the early '60s, pioneering British composer Daphne Oram set out to create a synthesizer unlike any other. The engineer who turned her ideas into reality was Graham Wrench. To celebrate the 50th anniversary of the BBC Radiophonic Workshop in April 2008, I wrote about its history for ...
Following Davies’ death in January 2005, this material spent two years in the care of Oram’s extended family who then asked Sonic Arts Network (now Sound and Music) to become its custodians. In November 2008 The Daphne Oram Trust became the owners of Oram’s archive and entered into a formal loan agreement with Goldsmiths College, University of London, that continues to today.
