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『ザ・ビーチ・ボーイズ・トゥディ』（The Beach Boys Today!）は、1965年にリリースされたザ・ビーチ・ボーイズのアルバム。 当時本アルバムの重要性を感じた者はほとんどいなかったが、バンドの経歴とブライアン・ウィルソンの個人的生活に於いて本作は重要な転機となった。
9 de mar. de 2020 · The Beach Boys Today! was the 1965 eighth overall studio album by The Beach Boys.It marked a subtle shift in production technique and lyrical themes for the California based group.These changes were brought together by producer, composer, and vocalist Brian Wilson who had decided to move away from the surfing / cars / girls themes that had brought super-stardom to the group in the early 1960s ...
Track 26 - recorded at Columbia Recording Studios, Nashville. "The Beach Boys Today!" LP - originally released on March 1, 1965 by Capitol Records (Capitol T-2269). "Summer Days (And Summer Nights)" LP - originally released on June 28, 1965 by Capitol Records (Capitol T-2354). All songs in mono, except 26, 27 & 29, which are in stereo.
The Beach Boys Today! ist das neunte Studioalbum der Beach Boys. Es erschien am 1. März 1965 und wurde von Capitol Records veröffentlicht. Entstehung. 1964 war ein sehr erfolgreiches Jahr für die Beach Boys, zeitweise waren fünf Alben der Band gleichzeitig in den Charts ...
The Beach Boys Today! est le huitième album studio du groupe The Beach Boys.Il s'agit du premier des trois qui sortirent en 1965.Bien que l'album n'ait pas été considéré comme particulièrement important à l'époque, il a marqué un tournant sensible au sein du groupe et, plus particulièrement, dans la vie personnelle de Brian Wilson.
The Beach Boys. On their first album after Brian Wilson stopped touring with the group, The Beach Boys made a clean break with their fun-in-the-sun past. The mature, questioning first single, "When I Grow Up (To Be a Man)," sets Today!'s emotional tone, but it's the lovely string of ballads that showcase Wilson's ever-increasing melodic ...
The Beach Boys Today! is the eighth studio album by the American rock band the Beach Boys, released March 8, 1965, by Capitol Records. It signaled a departure from their previous records with its orchestral sound, intimate subject matter, and abandonment of car or surf songs. Side one features an uptempo sound, while side two consists mostly of introspective ballads.
