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  1. The Dark Side Of The Moog Vol. 1 - 4. 5 CDs. Label: MIG. Bestellnummer: 10898743. Erscheinungstermin: 13.5.2022. Gesamtverkaufsrang: 14913. Verkaufsrang in CDs: 5978. Die Lang vergriffene und weltweit gesuchte Serie Wir schreiben das Jahr 1994. Klaus Schulze konnte zu diesem Zeitpunkt bereits auf eine lange, erfolgreiche Karriere zurückblicken.

  2. 19 de jul. de 2018 · The Dark Side Of The Moog Vol. 1Wish You Were There Muziek: 8 Klank: 8 Kwaliteit persing: 8 ½ Speelduur: 51:08 minuten. The Dark Side Of The Moog Vol. 2 – A Saucerful Of Ambience Muziek: 8 Klank: 8 Kwaliteit persing: 6 ½ Speelduur: 61:02 minuten The Dark Side Of The Moog Vol. 3 – Phantom Heart Brother Muziek: 9 Klank: 8 1/2

  3. 9 de jun. de 2022 · Buy The Dark Side Of The Moog Vol 1-4 at Juno Records. ... He has a vast body of work, much of which was done with Move D, but he also worked with others such as Klaus Schulze. ... "Wish You Were There" (part 1 - CD1: Vol 1) 2. "Wish You Were There" (part 2) 3.

  4. 28 de mar. de 2003 · The Dark Side Of The Moog (CD, Album, Reissue)Ambient World: aw 004: Germany: 1995: The Dark Side Of The Moog Vol. 1: Wish You Were There (2×LP, Album, Reissue, 180 gm) Music On Vinyl: MOVLP 2101: Netherlands: 2018: The Dark Side Of The Moog (10×File, MP3, 320 kbps) Fax +49-69/450464: none: Germany: Unknown

  5. Klaus Schulze, [1] artísticamente conocido también como Richard Wahnfried fue un compositor electrónico, músico y productor discográfico alemán. web ... (1994), con voces operáticas humanas y sampling instrumental y vocal, o el ambient techno (la serie The Dark Side Of The Moog). ...

  6. Discover Dark Side of the Moog, Vol. 1: Wish You Were There by Klaus Schulze, Pete Namlook released in 1994. Find album reviews, track lists, credits, awards and more at AllMusic.

  7. 12 de abr. de 2022 · The first box contains Vol. 1 to Vol. 4 and the "Best Of"-Album "The Evolution Of The Dark Side Of The Moog". Their relationship between Klaus and Pete and the exchange of ideas was unorthodox from the beginning of their co-operation, in that they rarely met personally. The most remarkable contacts they had were outside of their studios, for ...