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  1. Strangers on a Train The Left Banke. Released 1986. ... More The Left Banke albums Strangers on a Train (bonus track version) There’s Gonna Be a Storm: The Complete Recordings 1966-1969.

  2. 5 de ene. de 2022 · In 1978, Steve Martin Caro, Tom Finn, and George Cameron reformed The Left Banke, though the tracks wouldn't emerge until 1986 as Strangers on a Train (in the U.S.) and Voices Calling (in the U.K.). On February 25, an expanded edition of that all-but-lost album will return to CD from Omnivore Recordings.

  3. The Left Banke was an American baroque pop band, formed in New York City in 1965. ... The album was eventually issued by Relix Records in 1986 under the title Strangers on a Train (Voices Calling in Europe). However, the album did little to restore the popularity of the group.

  4. 20 de ene. de 2022 · The Strangers on a Train cuts retain many of the hallmarks of the signature Left Banke sound: Martin's lovely vocals and a stirring string arrangement imbue "Lorraine" with a delicate beauty, while "I Can Fly" features another choice Martin vocal and a wonderful arrangement that is both rocking and restrained. Many of the tracks sound quite a bit like Badfinger: the title song evokes Tom Evans ...

  5. 28 de feb. de 2022 · Strangers on a Train, an Album by The Left Banke. Released in March 1986 on Relix (catalog no. RRLP 2021; Vinyl LP). Genres: Pop, Pop Rock, Power Pop. Rated #1747 in the best albums of 1986.

  6. 10 de dic. de 2021 · The CD Strangers on a Train is, in my opinion, the Left Banke’s finest recordings. It was a mid 70’s lp for a long time, but the newly released CD has only enhanced those recordings. Steve Martin Caro was a great front man for the band. His vocalizations with Tom Finn and George Cameron were awesome. This is my favorite recordings by them.

  7. 25 de feb. de 2022 · The world was a different place in 1978 than when the Left Banke first formed just 13 years earlier. The naïve and sad-hearted Baroque pop the band pioneered in the mid-'60s had fallen out of favor for sensitive, sophisticated balladry and FM radio-geared hard rock, and both trends underscore their third album, Strangers on a Train.