Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. www.thewire.co.uk › about › artistsHenry Flynt - The Wire

    Cover of Henry Flynt And The Insurrections's I Don’t Wanna CD (Locust Music) It is an interesting illusion, as this timely album was released 38 years after it was recorded. This disorienting listening experience – what do you mean that people weren’t talking about this album in 1966? – points to anachronisms that often accompany the reception of archival releases.

  2. 18 de jul. de 2006 · Henry Flynt and the Insurrections-“I don’t Wanna” Could be Flynt 60’s early “garage rock band”, but believe me, this aint a “garage rock band” as the traditional sense implies, don’t expect “We the People”, or “the Troggs” or Even “the Monks”.

  3. 12 de feb. de 2007 · I Dont Wanna . Henry Flynt Format: Audio CD. 4.0 4.0 out of 5 stars 1 rating. $330.00 $ 330. 00 ... but as an archival recording, this one is pretty interesting. Henry Flynt has been credited with coining the phrase "conceptual art," and making an appearence/splash in New York's art world in the 1960's. He was also a sloganeer ...

  4. 20 de dic. de 2010 · Henry Flynt (gtr) and Walter De Maria (drums)"I Don't Wanna" was released by Locust Music in 2004.http://www.locustmusic.com/http://www.headheritage.co.uk/un...

  5. I Don’t Wanna sends another of Flynt’s archival tapes out to the boho record bin. Recorded in 1966, after Flynt took guitar lessons from Lou Reed (which makes for great mind’s-eye melodrama: “No, Henry, “Prominent Men” goes like this ...”), this is Flynt’s most direct protest music.

  6. I Don't Wanna is a retrospective album released in 2005 on Locust Music consisting of demos recorded in 1966 by Henry Flynt & The Insurrections, a garage rock protest group led by Flynt on lead vocals and electric guitar, Walter De Maria on drums, Art Murphy on keyboards, and Paul Breslin on upright

  7. When I first heard the New York guitar music on this I DON’T WANNA album just eighteen months ago, I was gobsmacked and derailed by the agitated attack of Henry Flynt’s bluegrass-meets-hillbilly-meets-R&R guitar sound, and the manner in which he took Troggs-simple riffs and upended them into dustbowl dances for tigers on Vaseline.