Resultado de búsqueda
12 de jun. de 2009 · 地铁惊魂 The Taking of Pelham 123 (2009) ... 某日，一群恐怖分子劫持了地铁123号线，匪首雷德（约翰•屈伏塔 John Travolta 饰）为前美国雇佣兵，声言要提供1000万赎金才释放人质。巧的是，该数额正式保险金、商业贷款等提取的上限。
The Taking of Pelham 1 2 3. A subway dispatcher calls on his extensive knowledge of the transit system to outwit hijackers who are threatening to kill passengers unless a ransom is paid. Rentals include 30 days to start watching this video and 48 hours to finish once started.
Pelham 123 - Ostaggi in metropolitana (The Taking of Pelham 123) è un film del 2009 diretto da Tony Scott e sceneggiato da Brian Helgeland. Il film è il terzo adattamento cinematografico del romanzo thriller Il colpo della metropolitana scritto da Morton Freedgood , sotto lo pseudonimo di John Godey.
Smearing the Senses: Tony Scott, Action Painter. On the late great. Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day’s work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
L'Attaque du métro 123 ou Pelham 123 - L'ultime station au Québec (The Taking of Pelham 1 2 3) est un film américano-britannique réalisé par Tony Scott et sorti en 2009.. Il s'agit d'une adaptation du roman Les Pirates du métro de John Godey, publié en 1973 et déjà adapté dans Les Pirates du métro (The Taking of Pelham One Two Three) réalisé par Joseph Sargent et sorti en 1974.
Stoppt die Todesfahrt der U-Bahn 123 (Originaltitel: The Taking of Pelham One Two Three) ist ein Kriminalfilm-Thriller aus dem Jahr 1974. Er basiert auf dem Roman Abfahrt Pelham 1 Uhr 23 (gleicher Originaltitel) von John Godey. Walter Matthau stellt sich in seiner Rolle als Sicherheitschef der New Yorker U-Bahn einer Gruppe von vier Geiselnehmern entgegen.
10 de jun. de 2009 · There’s not much wrong with Tony Scott’s “The Taking of Pelham 1 2 3,” except that there’s not much really right about it. Nobody gets terrifically worked up, except the special-effects people. Oh, John Travolta is angry and Denzel Washington is determined, but you don’t sense passion in the performances. They’re about behaving, not evoking.
