Resultado de búsqueda
9 de may. de 2024 · Foreign Experiences, along with Improvement (Don Leaves Linda), eL/Aficionado and Now Eleanor’s Idea, is part of Robert Ashley’s monumental opera tetralogy with the overall title, Now Eleanor’s Idea.The tetralogy was premiered at the 1994 Festival d’Avignon followed by the Brooklyn Academy of Music’s “Next Wave” Festival.
21 de oct. de 2021 · This new production of eL/Aficionado by the late Robert Ashley (written in 1987 and last performed in 1995) is an opera scored for four voices and a pre-recorded electronic orchestra. It is the story of a person on trial — on trial for her character and the quality of her answers, on trial for her skills of perception and her intelligence, on trial as a human being.
The fourth opera in Robert Ashley's Now Eleanor's Idea tetralogy: Junior, Jr.'s story. A group of scenes from the life of an agent. ... Robert Ashley eL/Aficionado. Label: Lovely Music, Ltd. Format: CD. Genre: Compositional. CD. €14.50. CD. Out of stock. Out of stock. 1994 release.
THE OPERA The principal character, a man described only as “The Agent”, is being cross-examined by two persons (“Interrogators”) under the direction of a third person (“First
22 de oct. de 2021 · NYT Critic’s Pick. You can’t help but feel some sympathy for the protagonist of Robert Ashley’s opera “eL/Aficionado” when she says, “The meaning of the scene is impossible to describe ...
Robert Ashley – eL/Aficionado. More images. Label:Lovely Music, Ltd. – LCD 1004: Format: CD, Album. Country:US: Released:1994: Genre:Classical: Style:Contemporary, Opera: ... "eL/Aficionado" is the second opera in Robert Ashley's "Now Eleanor's Idea" tetralogy to have been composed and the third to have been released. [Printed on disc]
eL/Aficionado (1994), 6.5/10 Superior Seven and Tract (1996), 6/10 String Quartet... (1999), 5/10 Your Money My Life Goodbye ... Links to other sites. Robert Ashley (Ann Arbor, Michigan, 1930), active between Ann Arbor (site of the "ONCE" festival) and the Mills College, coined a new form of opera, that relied on layers of trivial verbal events ...
