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Olu Dara (* 1941 in Natchez, Mississippi als Charles Jones III) ist ein US-amerikanischer Jazz- und Crossovermusiker ... Sie arbeiteten auf Nas Debütalbum Illmatic und auf Street’s Disciple zusammen. Seit den 1990er Jahren ist Olu Dara auch als Schauspieler aktiv. Diskografie Chartplatzierungen ...
Street's Disciple è il settimo album del rapper statunitense Nas, pubblicato il 30 novembre 2004 dalla Columbia.La copertina ritrae Nas in un adattamento dell'Ultima Cena. Il doppio album è un successo sia dal punto di vista della critica sia da quello commerciale, debuttando al quinto posto nella Billboard 200 e vendendo 232 000 copie nella prima settimana.
Street’s Disciple (englisch für „Schüler“ oder „Jünger“ der Straße) ist ein Doppelalbum des Rappers Nas.Es wurde am 30. November 2004 über das Label Columbia Records veröffentlicht. Für das Albumcover wurden mehrere Fotos von Nas in verschiedenen Positionen digital eingefügt, sodass es symbolisch Das Letzte Abendmahl Jesu und seine Jünger darstellt.
Olu Dara Jones (born Charles Jones III; January 12, 1941) is an American cornetist, guitarist, and singer. He is the father of rapper Nas. ... 2004 Street's Disciple; With Jamaaladeen Tacuma. 1983 Show Stopper; 1984 Renaissance Man; With Henry Threadgill. 1982 When Was That?
Street's Disciple is the seventh studio album by American rapper Nas, released as a double album by Columbia Records. Originally scheduled for a September 14, 2004 release, the album was ultimately released on November 30, 2004. Named after one of his lyrics from "Live at the Barbeque" by Main Source, the album's cover art was digitally created using photos of Nas to create an adaptation of ...
Nas Lyrics. "Street's Disciple". (feat. Olu Dara) Yeah, yeah, yeah. You was born in the eighties, pops drove a Mercedes. Did a bid, coming home to some grown ass kid. Crack baby turn to young thug, description might fit you. Look around it might hit you.
7 de sept. de 2009 · 2. STREET'S DISCIPLE (FEAT OLU DARA) Not to be confused with “Disciple” from the first disc, this is the true title track. Salaam Remi's beat is simple but catchy, made up of nothing but breakbeats and a lingering string section, but I can't remember Nas saying anything even remotely street and/or disciple-esque to save my life.
